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Lifespan: 1599 - 1641
Nationality: Flemish painter
Gender: male
Collection: 62 paintings

Flemish painters began their rise to prominence in the 17th Century and though Rubens was the most famous of the Flemish artists, paintings of Anthony Van Dyck are often viewed as masterpieces despite not being as well-known as those of the more famous Flemish counterpart. Born in Antwerp, Anthony Van Dyck’s paintings in his early years earned him a spot as a pupil to Hendrik van Balen, where Van Dyck fine tuned his artistry until becoming accepted as a master in the famous Guild of St. Luke. Later, Anthony Van Dyck would become an assistant to Rubens himself. Van Dyck would go on to Italy where he found a great influence in the works of Titian; something that would be reflected in the oil paintings of Anthony Van Dyck for the remainder of his career. Van Dyck would later return to his birthplace of Antwerp, where he spent the vast majority of his time despite being appointed the principal painter to King Charles I of England. Though talent had always been exhibited in Anthony Van Dyck artwork, he struggled to separate himself from Rubens and validate the quality of his own work, despite many obvious similarities in the popular style of portraits for which they were often commissioned. Van Dyck’s travels to Italy are viewed as the artists struggle to make a name for himself; to make Anthony Van Dyck paintings as desirable as those by his more famous contemporary. By relocating to Italy, Van Dyck not only had access to fresh inspiration and the work of the Old Masters, there was also a reduced amount of competition between himself and Rubens for the wealthy clientele whose patronage determined the artist’s ultimate success or failure. The paintings of Anthony Van Dyck found a particularly large amount of success in Genoa and Rome, where he mastered the old humanist art of court portraiture, a task much more difficult than simply painting a likeness of the subject. Due to the freedoms and liberties taken in Anthony Van Dyck oil paintings, some critics have belittled his genius by stating that he merely practiced a visual method of flattery to his patrons. However, Van Dyck’s “artistic liberties” in changing some perceived physical flaws in his patrons was an important part of glorifying their station in life and importance. By painting his patrons as they should appear, according to their position in the hierarchy of 17th Century life, Anthony Van Dyck paintings clearly accomplished the task intended. The act of portraiture during the life of Anthony Van Dyck was a complex junction of symbolism, composition, and physical beauty in the representation of the patron-subject. In this area, it is clear that Van Dyck excelled, even if he did not quite possess the genius of mastery of his contemporary artist whose work has so often overshadowed the quality of his own. Specific notable works by Anthony Van Dyck include his most famous Charles I on Horseback, Crucifixion with the Two Thieves, Self Portrait (1622), Queen Henrietta Maria with Sir Jeffrey Hudson, and Lady with a Fan.


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Blessed Joseph Hermann 1629 Paintings | Sir Anthony Van Dyck paintings

Blessed Joseph Hermann 1629

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Charles I King Of England At The Hunt 1635 Paintings | Sir Anthony Van Dyck paintings

Charles I King Of England At The Hunt 1635

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Charles I Of England And Henrietta Of France Paintings | Sir Anthony Van Dyck paintings

Charles I Of England And Henrietta Of France

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Charles I On Horseback 1635 Paintings | Sir Anthony Van Dyck paintings

Charles I On Horseback 1635

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Charles I, King of England at the Hunt 1635 Paintings | Sir Anthony Van Dyck paintings

Charles I, King of England at the Hunt 1635

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Cornelis Van Der Geest Before 1620 Paintings | Sir Anthony Van Dyck paintings

Cornelis Van Der Geest Before 1620

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Crowning With Thorns 1618-20 Paintings | Sir Anthony Van Dyck paintings

Crowning With Thorns 1618-20

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Deposition 1634 Paintings | Sir Anthony Van Dyck paintings

Deposition 1634

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Diana Cecil Countess Of Oxford 1638 Paintings | Sir Anthony Van Dyck paintings

Diana Cecil Countess Of Oxford 1638

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Equestrian Portrait Of Charles I King Of England 1635-40 Paintings | Sir Anthony Van Dyck paintings

Equestrian Portrait Of Charles I King Of England 1635-40

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Frans Snyders 1620 Paintings | Sir Anthony Van Dyck paintings

Frans Snyders 1620

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Isabella Brandt 1621 Paintings | Sir Anthony Van Dyck paintings

Isabella Brandt 1621

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James Seventh Earl of Derby His Lady and Child 1641 Paintings | Sir Anthony Van Dyck paintings

James Seventh Earl of Derby His Lady and Child 1641

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James Stuart Duke of Richmond and Lennox ca 1634 Paintings | Anthony van Dyck paintings

James Stuart Duke of Richmond and Lennox ca 1634

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Jupiter And Antiope Paintings | Sir Anthony Van Dyck paintings

Jupiter And Antiope

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Lucas van Uffel (died 1637) ca 1621 Paintings | Anthony van Dyck paintings

Lucas van Uffel (died 1637) ca 1621

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Marchesa Elena Grimaldi 1623 Paintings | Sir Anthony Van Dyck paintings

Marchesa Elena Grimaldi 1623

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Margareta Snyders 1620 Paintings | Sir Anthony Van Dyck paintings

Margareta Snyders 1620

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Paola Adorno Marchesa Di Brignole Sale 1627 Paintings | Sir Anthony Van Dyck paintings

Paola Adorno Marchesa Di Brignole Sale 1627

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Porrtrait Of The Sculptor Duquesnoy 1627-29 Paintings | Sir Anthony Van Dyck paintings

Porrtrait Of The Sculptor Duquesnoy 1627-29

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Portrait of a Genoese Nobleman 1624 Paintings | Anthony van Dyck paintings

Portrait of a Genoese Nobleman 1624

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Portrait Of A Gentleman 1624 Paintings | Sir Anthony Van Dyck paintings

Portrait Of A Gentleman 1624

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Portrait of a man Paintings | Anthony van Dyck paintings

Portrait of a man

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Portrait of a Man 1618 Paintings | Anthony van Dyck paintings

Portrait of a Man 1618

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Portrait of a Man ca 1618 Paintings | Anthony van Dyck paintings

Portrait of a Man ca 1618

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