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Lifespan: 1831 - 1903
Nationality: French painter
Gender: male
Collection: 858 paintings

Camille Pissarro’s role in the formation of a new French style of painting known as Impressionism was integral. Born in St. Thomas of the Virgin Islands to a Portuguese Jewish father, Camille Pissarro always held a great interest in the visual arts. After traveling between the Virgin Islands and France for several years in order to obtain schooling and assist his father’s business, Pissarro finally decided that his artwork was his true calling. Upon returning to France he received training from the prestigious École des Beaux-Arts and the Académie Suisse. The paintings of Camille Pissarro are famous for being included in all eight of the Impressionist Exhibitions that took place in Paris during the height of the movement. The paintings of Camille Pissarro became the start to many of the friendships made with other artists who were beginning to lean toward the new Impressionist style of painting. As new ideas about the sensibilities and aesthetics of art were being formed, Camille Pissarro’s artwork became among the leading examples of the new styles. Because most of the artists who came to be known as the Impressionists were acquantainces, if not close friends, Pissarro is occasionally referred to as the father of Impressionism. In the Impressionism art movement, the oil paintings of Camille Pissarro illustrated all of the tenets that the progressive artists were embracing as they moved away from earlier styles of painting. Camille Pissarro oil paintings were more often than not landscapes with loose brush strokes that provided a loose glimpse or quick first impression of the subject, light, and coloring. The early works of Camille Pissarro were shining examples to the other followers of Impressionism and provided a firm basis of artistic philosophy for his younger contemporaries to follow and adapt to their own styles. What is particularly important regarding the artwork of Camille Pissarro is that viewing the paintings invokes the sense that artistic attempts at accurately portraying a landscape (as perhaps, in a photograph) are insufficient to the experience of the sensations of the landscape itself. In this way, the paintings of Camille Pissarro and his contemporaries found a new way to interact with their viewers by encouraging the audiences to experience the subject, rather than just look at it on a canvas. Some of Camille Pissarro’s famous paintings are located in the most prestigious museums around the world including: The Metropolitan Museum of Art (MoMA) in New York, The British Museum in London, and Musée d’Orsay in Paris. Some of the most recognizable titles of Camille Pissarro’s artwork are: Afternoon Sunshine, Pont Neuf; Boulevard Montmarte, Artist’s Garden, Flooded Sunset, The Harvest (1883), and Lock at Pontoise, among many others. Even from the titles of Pissarro’s paintings, it becomes easily apparent how much focus he devoted to light as an artist. Though light had been a hugely important element in the composition of paintings since the days of Caraveggio and beyond, Pissarro and the Impressionists redefined the use of light as a tool to enhance the impressionist quality of the works which they painted.


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Picking Peas, 1880 Paintings | Camille Pissarro paintings

Picking Peas, 1880

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Picking Peas, 1887 Paintings | Camille Pissarro paintings

Picking Peas, 1887

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Picking Peas, 1893 Paintings | Camille Pissarro paintings

Picking Peas, 1893

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Piettes Home on Montfoucault, 1874 Paintings | Camille Pissarro paintings

Piettes Home on Montfoucault, 1874

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Pink Peonies, 1873 Paintings | Camille Pissarro paintings

Pink Peonies, 1873

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Place du Carrousel, the Tuileries Gardens, 1900 Paintings | Camille Pissarro paintings

Place du Carrousel, the Tuileries Gardens, 1900

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Place du Havre, Paris Rain, 1897 Paintings | Camille Pissarro paintings

Place du Havre, Paris Rain, 1897

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Place du Havre, Paris, 1893 Paintings | Camille Pissarro paintings

Place du Havre, Paris, 1893

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Place du Theatre Francais Afternoon Sun in Winter, 1898 Paintings | Camille Pissarro paintings

Place du Theatre Francais Afternoon Sun in Winter, 1898

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Place du Theatre Francais Foggy Weather, 1898 Paintings | Camille Pissarro paintings

Place du Theatre Francais Foggy Weather, 1898

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Place du Theatre Francais Rain Effect, 1898 Paintings | Camille Pissarro paintings

Place du Theatre Francais Rain Effect, 1898

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Place du Theatre Francais Spring, 1898 Paintings | Camille Pissarro paintings

Place du Theatre Francais Spring, 1898

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Place du Theatre Francais, 1898 Paintings | Camille Pissarro paintings

Place du Theatre Francais, 1898

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Place du Thretre Francais, 1898 Paintings | Camille Pissarro paintings

Place du Thretre Francais, 1898

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Place Saint-Lazare, 1893 Paintings | Camille Pissarro paintings

Place Saint-Lazare, 1893

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Pont at Montfoucault, 1874 Paintings | Camille Pissarro paintings

Pont at Montfoucault, 1874

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Pont-Neuf Fog, 1902 Paintings | Camille Pissarro paintings

Pont-Neuf Fog, 1902

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Pontoise 1877 Paintings | Camille Pissarro paintings

Pontoise 1877

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Pontoise 1894 95 Paintings | Camille Pissarro paintings

Pontoise 1894 95

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Pontoise Dam, 1872 Paintings | Camille Pissarro paintings

Pontoise Dam, 1872

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Pontoise Landscape, Through the Fields, 1879 Paintings | Camille Pissarro paintings

Pontoise Landscape, Through the Fields, 1879

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Pontoise, Les Mathurins, 1873 Paintings | Camille Pissarro paintings

Pontoise, Les Mathurins, 1873

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Ponty-Neuf, the Statue of Henri IV, Sunny Weather, Morning, 1900 Paintings | Camille Pissarro paintings

Ponty-Neuf, the Statue of Henri IV, Sunny Weather, Morning, 1900

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Poplars Eragny 1895 Paintings | Camille Pissarro paintings

Poplars Eragny 1895

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Poplars, Afternoon in Eragny, 1899 Paintings | Camille Pissarro paintings

Poplars, Afternoon in Eragny, 1899

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