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Lifespan: 1831 - 1903
Nationality: French painter
Gender: male
Collection: 858 paintings

Camille Pissarro’s role in the formation of a new French style of painting known as Impressionism was integral. Born in St. Thomas of the Virgin Islands to a Portuguese Jewish father, Camille Pissarro always held a great interest in the visual arts. After traveling between the Virgin Islands and France for several years in order to obtain schooling and assist his father’s business, Pissarro finally decided that his artwork was his true calling. Upon returning to France he received training from the prestigious École des Beaux-Arts and the Académie Suisse. The paintings of Camille Pissarro are famous for being included in all eight of the Impressionist Exhibitions that took place in Paris during the height of the movement. The paintings of Camille Pissarro became the start to many of the friendships made with other artists who were beginning to lean toward the new Impressionist style of painting. As new ideas about the sensibilities and aesthetics of art were being formed, Camille Pissarro’s artwork became among the leading examples of the new styles. Because most of the artists who came to be known as the Impressionists were acquantainces, if not close friends, Pissarro is occasionally referred to as the father of Impressionism. In the Impressionism art movement, the oil paintings of Camille Pissarro illustrated all of the tenets that the progressive artists were embracing as they moved away from earlier styles of painting. Camille Pissarro oil paintings were more often than not landscapes with loose brush strokes that provided a loose glimpse or quick first impression of the subject, light, and coloring. The early works of Camille Pissarro were shining examples to the other followers of Impressionism and provided a firm basis of artistic philosophy for his younger contemporaries to follow and adapt to their own styles. What is particularly important regarding the artwork of Camille Pissarro is that viewing the paintings invokes the sense that artistic attempts at accurately portraying a landscape (as perhaps, in a photograph) are insufficient to the experience of the sensations of the landscape itself. In this way, the paintings of Camille Pissarro and his contemporaries found a new way to interact with their viewers by encouraging the audiences to experience the subject, rather than just look at it on a canvas. Some of Camille Pissarro’s famous paintings are located in the most prestigious museums around the world including: The Metropolitan Museum of Art (MoMA) in New York, The British Museum in London, and Musée d’Orsay in Paris. Some of the most recognizable titles of Camille Pissarro’s artwork are: Afternoon Sunshine, Pont Neuf; Boulevard Montmarte, Artist’s Garden, Flooded Sunset, The Harvest (1883), and Lock at Pontoise, among many others. Even from the titles of Pissarro’s paintings, it becomes easily apparent how much focus he devoted to light as an artist. Though light had been a hugely important element in the composition of paintings since the days of Caraveggio and beyond, Pissarro and the Impressionists redefined the use of light as a tool to enhance the impressionist quality of the works which they painted.


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Path under the Trees, Summer, 1877 Paintings | Camille Pissarro paintings

Path under the Trees, Summer, 1877

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The Boulevard Montmartre on a Winter Morning 1897 Paintings | Camille Pissarro paintings

The Boulevard Montmartre on a Winter Morning 1897

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A Corner of the Meadow at Eragny 1902 Paintings | Camille Pissaro paintings

A Corner of the Meadow at Eragny 1902

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Saint-Charles, Eragny 1891 Paintings | Camille Pissaro paintings

Saint-Charles, Eragny 1891

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In the Woods, 1859 Paintings | Camille Pissarro paintings

In the Woods, 1859

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Peasant Woman Combing Wool Paintings | Camille Pissarro paintings

Peasant Woman Combing Wool

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Road from Osny to Pontoise Hoar Frost Paintings | Camille Pissarro paintings

Road from Osny to Pontoise Hoar Frost

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Road from Versailles to Louveciennes Paintings | Camille Pissarro paintings

Road from Versailles to Louveciennes

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A Cowherd on the Route du Chou Pontoise 1874 Paintings | Camille Pissarro paintings

A Cowherd on the Route du Chou Pontoise 1874

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A Washerwoman at Eragny 1893 Paintings | Camille Pissarro paintings

A Washerwoman at Eragny 1893

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Barges at Pontoise 1876 Paintings | Camille Pissarro paintings

Barges at Pontoise 1876

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Bather in the Woods 1895 Paintings | Camille Pissarro paintings

Bather in the Woods 1895

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Jalais Hill Pontoise 1867 Paintings | Camille Pissarro paintings

Jalais Hill Pontoise 1867

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Morning, An Overcast Day Rouen 1896 Paintings | Camille Pissarro paintings

Morning, An Overcast Day Rouen 1896

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Poplars Eragny 1895 Paintings | Camille Pissarro paintings

Poplars Eragny 1895

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Rue de l'eicerie Rouen 1898 Paintings | Camille Pissarro paintings

Rue de l'eicerie Rouen 1898

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Steamboats in the Port of Rouen 1896 Paintings | Camille Pissarro paintings

Steamboats in the Port of Rouen 1896

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Still Life with Apples and Pitcher 1872 Paintings | Camille Pissarro paintings

Still Life with Apples and Pitcher 1872

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The Garden of the Tuileries on a Winter Afternoon 1899 Paintings | Camille Pissarro paintings

The Garden of the Tuileries on a Winter Afternoon 1899

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The Public Garden at Pontoise 1874 Paintings | Camille Pissarro paintings

The Public Garden at Pontoise 1874

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Two Young Peasant Women 1892 Paintings | Camille Pissarro paintings

Two Young Peasant Women 1892

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Washerwoman Study 1880 Paintings | Camille Pissarro paintings

Washerwoman Study 1880

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Woman and Child Doing Needlework  1877 Paintings | Camille Pissarro paintings

Woman and Child Doing Needlework 1877

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Landscape with Flooded Fields 1873 Paintings | Camille Pissarro paintings

Landscape with Flooded Fields 1873

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The Path in the Village 1875 Paintings | Camille Pissarro paintings

The Path in the Village 1875

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